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In these variations, the narrator is a woman bemoaning her return to prostitution. Male singers made it “the ruin of many a poor boy,” which transformed the title establishment into a gambling den. For her second album, Del Rey went for a sound even more lush than on her debut, and the relentless strings of “Summertime Sadness” recall the soundtracks Angelo Badalamenti composed for David Lynch’s films. “I would sit under the telephone wires and listen to them sizzle in the warm air,” she recalled. “I felt happy in the warm weather, and started writing about how sad and gorgeous the summertime felt to me.” A year after its first release, Cedric Gervais’ dance remix turned the song into a Top 10 hit. In 2004, Rolling Stone published its list of the 500 Greatest Songs of All Time.
More From: Behind The Song
And it is a song that has become more than special in the history of Rock and Blues Music. But he still goes and knows that the temptations of the place are like a ball and chain that he is condemned to carry. However, it seems more likely it is a metaphor for his addictions to drinking and gambling. The Animals decided to try out “House of the Rising Sun” on the audience to finish their set. And, as Burdon later said, the reception from the audience was staggering. He had been up at the Columbia studios with John Hammond, doing his first album.
Earliest American versions
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It’s one of the most widely read stories in our history, viewed hundreds of millions of times on this site. But a lot has changed since 2004; back then the iPod was relatively new, and Billie Eilish was three years old. They each sent in a ranked list of their top 50 songs, and we tabulated the results. The song is also credited to Ronnie Gilbert on an album by the Weavers released in the late 1940s or early 1950s. Pete Seeger released a version on Folkways Records in 1958, which was re-released by Smithsonian Folkways in 2009.[16] Andy Griffith recorded the song on his 1959 album Andy Griffith Shouts the Blues and Old Timey Songs. In 1960, Miriam Makeba recorded the song on her eponymous RCA album.
Early commercial folk and blues releases
It remains, without a doubt, one of the songs that shaped the 60s and, to some extent, shaped rock music. The use of light and shade and a progressive atmospheric build was innovative. Those vocals, and the essential organ part from Alan Price, lifted this song way above anything else at the time. Burdon then lets rip with all the emotion and anguish he can muster for that last verse as he pummels our senses. The song then tapers off to a gentle ending, with Alan Price again taking the lead. One of the original versions reverses the genders and is about a woman who has no option but to return to that sort of life.
In others, a man sings the narrative bemoaning his inability to let go of his sordid past, which includes drink, women, and gambling. One thing for certain is that the original version of “House of the Rising Sun” had nothing to do with New Orleans. The first people to sing it had probably never even heard of New Orleans.
The Animals' version
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But, a few notable recordings are Leadbelly from 1948, Joan Baez from 1960, and Bob Dylan from 1962. Both the Joan Baez and Dylan versions were included on their first albums, which were both very folk-oriented. Most likely, the song in its original form was a folk song from the UK.
The Time Bob Dylan Stole Dave Van Ronk’s Arrangement for “House of the Rising Sun”
Shortly after Gabriel quit Genesis in 1975, he climbed to the top of Little Solsbury Hill in Somerset, England, to reflect on his life-changing decision. It inspired his debut solo song, in which he explained to fans why he felt the need to go out on his own. Musically, it was a departure too, a pastoral tune with a 12-string acoustic guitar lead that was pointedly different from Genesis’ prog-rock. “Maybe I’ve let it go too much,” he admitted to Rolling Stone in 2011.
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I put a different spin on it by altering the chords and using a bass line that descended in half steps—a common enough progression in jazz, but unusual among folksingers. By the early 1960s, the song had become one of my signature pieces, and I could hardly get off the stage without doing it. “I really thought I was writing country songs.” It reflected the times; the 1970s were the first decade since after World War I in which more African Americans were moving to the South than leaving it.
Robert Johnson, ‘Cross Road Blues’
Keynote Records released one by Josh White in 1942,[27] and Decca Records released one also in 1942 with music by White and the vocals performed by Libby Holman.[28] Holman and White also collaborated on a 1950 release by Mercury Records. White is also credited with having written new words and music that have subsequently been popularized in the versions made by many other later artists. By the time the ’60s rolled around, the folk legend Dave Van Ronk included an intense take on “House of the Rising Sun” as a steady part of his live repertoire. His young acolyte Bob Dylan largely mimicked Van Ronk’s arrangement of the song and included it on his debut album. Across the pond at around the same time, Burdon apparently heard the song from a local folk singer in England.
The Parton version makes it quite blunt, with a few new lyric lines that were written by Parton. Parton's remake reached number 14 on the US country singles chart and crossed over to the pop charts, where it reached number 77 on the Billboard Hot 100; it also reached number 30 on the US Adult Contemporary chart. Parton has occasionally performed the song live, including on her 1987–88 television show, in an episode taped in New Orleans. In late 1961, Bob Dylan recorded the song for his debut album, released in March 1962. That release had no songwriting credit, but the liner notes indicate that Dylan learned this version of the song from Dave Van Ronk. In an interview for the documentary No Direction Home, Van Ronk said that he was intending to record the song and that Dylan copied his version.
“You couldn’t go into his studio and do any foolishness.” Their peak, “Bam Bam,” is one of the great early dancehall anthems, booming but bright, tough but playful — and it’s been sampled extensively by everyone from Lauryn Hill to Kanye West. Helen Adu’s small but fully inhabited range has been her secret weapon from the beginning. “I decided that if I was gonna sing, I would sing how I speak, because it’s important to be yourself,” she said.
Holland promised him they’d do it soon — and Stubbs’ first pass hit Number One. Far from the international superstar he’d become, Toronto singer-songwriter Abel Tesfaye didn’t even send out photos or do any interviews when he released the first Weeknd album. “The whole ‘enigmatic artist’ thing, I just ran with it,” he said. Montero Hill was an Atlanta college dropout sleeping on his sister’s couch and looking to break into music when he came across a track he liked by a Dutch 19-year-old called YoungKio that was based around a banjo sample from a Nine Inch Nails track. “I was picturing, like, a loner cowboy runaway,” he told Rolling Stone. Within a year “Old Town Road” was the longest-running Number One song of all time, seeming to sum up eons of American cross-cultural love and theft in just one minute and 53 seconds.
However, it was the vocals that set the song apart, especially when Eric went up an octave. Besides that, Most just didn’t like it when they played it to him. But, he later admitted when they had finished it, he knew it was special. The Animals were from the Northeast of England and were a well-known blues band even in London, 300 miles south.
Its psychological insight and philosophical meaning are all too relevant for this song to be anything but timeless. But it’s hard to imagine that anybody will ever again inhabit that doomed soul at the epicenter of the tale quite as well. Nancy (a.k.a. Ophlin Russell) was the DJ (mic controller) for Kingston’s Stereophonic sound system when she met reggae producer Winston Riley in the late Seventies.
The Animals were on tour with Chuck Berry and chose it because they wanted something distinctive to sing. The Kentucky folk singer Jean Ritchie sang a different traditional version of the song to Lomax in 1949, which can be heard online courtesy of the Alan Lomax archive. Dillard Chandler of Madison County, North Carolina sang a variant of the song beginning "There was a sport in New Orleans". I had learned it sometime in the 1950s, from a recording by Hally Wood, the Texas singer and collector, who had got it from an Alan Lomax field recording by a Kentucky woman named Georgia Turner.
Van Ronk recorded it soon thereafter for the album Just Dave Van Ronk. Although the date and author of the song are unknown, some musicologists have said that it resembled ballads of the 16th century, and could very easily have derived from one of that time. As a popular folk song, the oldest record of “House of the Rising Sun” in reference to a song was 1905, and it was first recorded in 1933 by an Appalachian group.
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